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latest box

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latest box

#1

latest box

I wanted to challenge myself a little and added the curved, concave shapes on the long sides.


Re: latest box

#3

Re: latest box

Better picture. I cut the curves on a band saw using a combination of re-sawing and circle cutting, if you see what I mean. The curves ended up having a bit of an ogee shape toward the mitered edges. I didn't want that, but I had an impossible time trying to sand them into simple arcs. What saved the day for me was the card (cabinet) scraper. I was able to fairly easily scrape the sides into a simple cylindrical arc using a sharp, fairly thin card scraper. By bending and twisting it a little it was possible to match the curve of the wood just right.


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#4

Re: latest box


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#5

Re: latest box

"No message". Is this your way of saying the you don't like it much? That's all right. I'll do another one..


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#6

Most Unusual

You've left him speechless :D

(Good effort.  Let's see the second one)


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#7

Peter Martin

Re: Most Unusual LOL


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#8

Ellis Walentine

Nice looking box

Now, my editorial instinct says, "what are the woods? what is the finish? (is there a finish?) why the tall/deep form? intended use? how did resawing enter into it? did you cut the curves after assembling the box as a rectilinear form? (are the insides curved, too?)"

Ellis

 


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#9

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Some how I hit the post response button instead of Return to index.  PETER, I have Mentioned this to you before.  Need to separate those two buttons for us old people.

Eliot, I like the box, well done. It would be more interesting if you used some really stripped wood and made it obvious it was grain matched all the way around.  Nice job on the curves.  They must have been hard on a box that tall.  Speaking of tall, to my eye it looks really tall.  If you made a set of these and graduated them slightly in height they would look like a set of canisters.  (Remember those?)  Hmm? you could make a set with some convex and some concave and they could nest. That would turn them into treen and I am sure that is not what you were going for, this one is way too nice. 

(Somebody help me with the word treen...If I am going to denigrate Eliot's box I should at least spell the work right.}


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#10

Re: Nice looking box

Ellis,you've asked seven questions and I am delighted by your interest.


 

I believe the wood is some kind of magnolia -- all pieces including the bottom panel are the same kind.

There is no finish yet. Suggestions?

The proportions of the top and short sides are Golden Mean, the long side is a square.

(These never have any use.)

What I mean by re -sawing is that the band saw was set up to cut as you would for a re-saw -- except it's a curved cut.

The curves were cut into the side pieces before it was put together.

The insides are flat.


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#11

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I did look up "treen". It doesn't appear to be used in a disparaging way as far as I can tell. And I appreciate your comments.


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#12

Re: Nice looking box

Here's what the offcut from the re-saw/circle cut looks like.


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#14

Re: Great box, Eliot. Must always challenge yourself. Here is another ...

Sorry, Derek, no pic.


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#15

Re: Great box, Eliot. Must always challenge yourself. Here is another ...

Too obscure. Sorry. I was asking about a piece of music you recommended to me. Which version you prefer? Does that ring a bell?

Regards from Perth

Derek


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#16

Re: Great box, Eliot. Must always challenge yourself. Here is another ...

I must be dumb as a rock. I honestly didn't remember the recording dates. And, obviously, I thought you had intended to show me a couple of boxes done that you had done on those dates,

But , to return to what I now understand what you have in mind, I have to say that the 1981 recording is the better one. It makes sense, too, in that he was obviously more mature. Also, recording technology got better, so the sound is a bit better. But they are both amazing! Enjoy!


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#17

Apology all. This was very OT.

But, Eliot, I am about to build a couple of "boxes", starting tomorrow. And I needed to build an extra large mitre shooting board for this, which may interest you and others. I'll post a few photos tomorrow.

By the way, we were discussing Glenn Gould's Goldberg Variations. He recorded this in 1955 aged 23, and then again in 1981. Eliot, incidentally I also have 'Live in Saltzburg and Moscow' recorded in 1959. I prefer the 1981 recording.

Regards from Perth

Derek


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#18

Peter......a little help.......

Now, I assumed that Glenn was not a Country/Western artist......and a little search on YouTube confirmed that suspicion.......there are videos of his performance if Peter might want to put one up......


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Edited #19

Peter Martin

Re: Peter......a little help.......

Gould's performance begins at 18:03.


Hour and a half of remastered partitas from the Bach-Werke-Verzeichnis...

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#20

Re: Peter......a little help.......

Wonderful to be alive.


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#21

Ellis Walentine

Speechless

I think this breaks new ground for a woodworking forum. It sure goes to show that woodworkers are multidimensional creatures. I'm a little jealous of the musical sophistication we're seeing here. Maybe we should start a thread (on the Off Topic forum?) where everyone can upload a favorite YouTube video.

Ellis


 


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#23

Re: Peter......a little help.......

Derek......I think of Glen Campbell often (not in this case).......his story is so unique.......an impoverished childhood in the South.......a musical prodigy on guitar around 6 -7 years old.......leaving school at 12 to travel the American southwest with an uncle playing music nightly in bars, honkie tonks, and eventually on the radio live 4 hours a day 5 days a week learning his craft.....and being noticed by other professional musicians that advised him to go to California......which he did becoming a studio musician and member of "The Wrecking Crew".......recording on 100s and 100s of songs/records from Frank Sinatra to The Beach Boys.......and becoming one of the most respected guitarist in the music business......all before making recordings of music we associate with Glen Campbell...... 


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#24

Re: Speechless

Ellis, I am still a jazz-loving phillistine when it comes to the classics. Eliot introduced me to Glenn Gould, whom I had not known previously. I was familiar with the Goldberg Variations, but not the Gould versions. Thank you Eliot!

Regards from Perth

Derek


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#25

Ellis.......I accept your suggestion......

and with Peter's help, I'll get posted a couple of videos that show some interesting things from my era on pop music.......see you on the Off Topic forum......


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