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Monday Keep it steady.

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Monday Keep it steady.

#1

Monday  Keep it steady.

Gary Smyth

Back before everything in photography was instant and point and shoot, and images were designed for the web, for pros, large format film cameras were the order of the day. In order to hold the large format camera steady during the exposure a tripod was used. For years, the properties of wood, dampening, heat transfer, strength, weight, wood tripods were the best not only for photography but moviemaking, engineering, surveying, and anything else where portable precision instrumentation was used. The premier maker of the tripods in the U.S. was/is a company few have ever heard of and the prices for their tripods (without the head) remain steep. They started after the Depression. While there are pretenders (and arguments abound) for the best, who is accepted as the more desirable American maker of wood tripod legs?

Re: Monday Keep it steady.

#2

Elimination

Gary Smyth

Owing to country of manufacture it is not Leica, Sokkia, Berlebach or Nedo. Carbon fibre and aircraft aluminum with GPS locks and gyro stabilized pedestals now make almost any heavy duty tripod or camera mount more than acceptable. But they don't look nearly as good.

Re: Monday Keep it steady.

#3

Re: Elimination

Jim Rutten

Wild guess time? My guess is unitron.

Re: Monday Keep it steady.

#4

Re: Monday  Keep it steady.

Bill Earl

My Deardorff used to sit on a Ries.

Re: Monday Keep it steady.

#5

Re: Monday answer.

Gary Smyth

Another quick day. Bill gets a gold star for his forehead.

From their site:

When you buy a RIES tripod, you are buying the tradition of lightweight (compared to what?) and durable wooden legs, easy-to-use hardware, and built-in quality that started in 1936. ( I might add that you pay a premium for the tripod, although generally, they are less expensive than the German Nedo.)

Paul, Park, Ray and Irving Ries were in Hollywood when the motion picture industry was born. They saw the need for a sturdy, durable tripod mounted with a still camera on it for every motion picture set. This dedicated large format camera recorded movie scenes with the succinct clarity and immediate availability only a still camera could offer. The people in wardrobe relied on those photographs to ensure that the cast was properly attired and made-up from one shot to the next. And some of Hollywood's classic publicity photos were shot on movie sets from atop the Ries brothers' tripods.

While the movie industry was booming, the fine art of still photography was reaching new heights as well. Much of the time-honored work of such photographic greats as Ansel Adams and Edward Weston were shot from a RIES tripod. And top large-format photographers around the world today still regard RIES as "simply the best there is!" (Their words.)

Though the RIES tripod has changed little in appearance over the years, the quality of each component is being constantly improved, using the most advanced computer technology available. The result is a blend of the classic charm and durability of the old wooden RIES with the superior quality of design, manufacture, and finish afforded by today's technology. And all Ries products are still made in USA, in our own plant on Bainbridge Island in Washington State.

I pinched my fingers more than a couple of times hauling a 15 lb Reis for a 4x5 view camera. Until this question I never understood the reputation of the brand. We learn something each day.

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