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Monday Trivia

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Monday Trivia

#1

Monday Trivia

Today I�m looking for an event. American, 1860�s-1870�s. Featured (among other firsts) the largest bass drum then made. Sponsored in part by Eben Jordan of the retailer Jordan, Marsh and Company. It was housed in a building that was built in three months from Georgia Pine and was 500 feet long, 300 wide and 100 feet high. Main doors were 24 feet wide and forty five flag poles projected from the roof. The building where it happened had 48 water closets and 2400 gas jets fed through 25000 feet of pipe and a six inch water main to supply the various devices. It cost $120,750.68. It was for a five day event. During the event it was filled each day with seats for 50,000. I�ll venture that even though it was the great event of its time you likely never heard of it and the person who directed the event. Though the first was perhaps the best it went on for some years until it was too unwieldly to do with the technology of that time. What was the event? Who was the originator/promotor/director of the event?

Re: Monday Trivia

#3

Re: Monday Trivia

Would this be for an event that started in New York State by a religious guy?

Tom

Re: Monday Trivia

#4

More--I don't believe so. The

first was in Boston but the idea may have originated in New York or New Orleans according to different sources (the inspiration was not discussed however). The event also featured one hundred firefighters. Upon reading further some in Washington, New York where the event was offerd simply thought it insane. Boston old timers lifted their noses a bit higher and dismissed the whole thing, until of course, it was a success.

Re: Monday Trivia

#5

I'm on the wrong track then.

I was guessing it was a building for the first Chatauqua. Guess I'll have to keep scratching my brain.

Tom

Re: Monday Trivia

#6

Monday answer

The name of the event was the National Peace Jubilee.

The man was Patrick S. Gilmore.

Remember the time. Before Sousa he was the �rock� promoter of his day. In 1869 he organized tens of city bands from throughout the U.S. to come together to play in the huge hall and do it together. The highlight was apparently the anvil chorus using the world�s largest organ and bass drum, and one hundred firemen dressed in blue trousers, red shirts and brass helmets smashing syncopated beats on 100 donated anvils. He also used dozens of assistant conductors, 10,000 voices (four part harmony) and a one thousand piece orchestra. There were also assorted church bells and cannon fired by push button from the conductor�s music stand. Sort of like an Orange Bowl halftime except they actually did something entertaining and for five days (eighteen days in 1872). Each qualifying group was offered half fare and lodging in tents and a bound book of the music. Gilmore, a top quality horn player himself, to be fair, did a great amount of work to get bands, soloists, choral groups, logistics, funding and he did it in six months (the first time). If you think ticket prices are steep today, in 1869 the original price was set at $100 each for the five day event. He brought in European bands, opera singers, soloists and in 1872 even got Johann Strauss, identified as the most popular musician in the world.

The first jubilee made money (($6,882.04) (it also got Gilmore a $40,000 purse) the second didn�t. Eventually the drum got so big it wouldn�t play and the organ bellows so large when operated it couldn�t get enough air for the huge bass "world's largest organ" pipes. Patrons got more particular as to the sound quality and wanted more of everything. By 1873 it was over. Gilmore went on to New York to be the premiere bandleader in the country. He sold out 150 consecutive smaller concerts. After Gilmore died in 1892 Sousa picked up the slack and became far better known but it was Gilmore that got it rolling.

You can check out Gilmore or National Peace Jubilee online if so inclined. It's hard to imagine today the impact this had then and perhaps that's why few remember or have ever heard of the event or the man. One article in American Heritage of 1969 advanced the idea that Mr. Gilmore was in no small part the character "Harold Hill" of the musical "Music Man".

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