>Those of you that turn finials for lidded pieces, do you drawn them prior to turning? I turned 5 finials for a piece before I got one to look good with the piece. I had an idea in my head of the finial I wanted, but every one I turned was the wrong shape, diameter, ect. I admit that I am a bit ham-handed with small spindles, but 5 is a bit much.
>Be of good cheer, Joel, and just keep at it. Most of my best pieces sport finial tops, and let me assure you that I still struggle sometimes with getting the shape, proportion, and size appropriate to the turning. I cheat many times by turning them backward, in other words I will shape the tenon that fits into the mouth of the vessel on the end of the blank, then reverse mount the vessel between centers using the top as a drive center. This way the proper sizing and such are much easier to guage. I shape the bulk of the top in this manner, then remove the vessel, and finish turn most of the remainder of the finial top. To complete the top, I part it off from it's mounting, then using the waste left over for a jam chuck, turn a mortise that will accept the tenon that fits into the mouth of the vessel, (much like turning a box lid). I reverse the top and press it into the mortise, then gently complete the very top of the finial. Clear as mud, huh? I find that having the vessel in the lathe helps me envision the proper shape and proportion of the finial top, but often am still unhappy with the final look of the top. That's when I just put another finial blank in, and do it again, hoping to get it right this time.
In other words, just keep at it until you get one that "works".
>I usually fold a piece of paper in half then draw the half profile at the fold and cut it out. This way I have the size and shape that I can refine if I don't like it. And when I do come up with something I like, I can transfer it exactly to the wood using the calipers at key points.
>I think a lot of us (me very much so), when we were first learning to turn, enjoyed faceplate turning so much that we kind of skipped over most of spindle turning. That really comes back to bite me when I try to turn those really delicate spindles like I see in Cindy Droza's work.
>For better or worse, Cindy does a lot of scraping and not much cutting. At least her video from the AAW Symposium projected that. If that works for you, fine.
If you think your [Jenifer and/or Joel] finials look bad as far as quality is concerned, then go back and re-learn basic cuts. You should also invest skew skils. One thing I learned from Eli Avisera was to invest time in the skew, it pays off. At the very least get your rough shape via the spindle gouge and then clean up with the skew.
I'm no expert but I just started teaching a woodturning course at a local woodworking school and I liked the oohs and ahhs I got when I showed them a knife handle I turned from tulipwood but was not yet sanded. It was easily ready for 220 grit.
>Anybody available to forthwith put forth an article or tutorial on finial design? What little I've tried looks mighty crude. My efforts look like too much geegaws and overstated furbelows.
I'm kinda looking for something that says one third of this to the square root of the length or whatever. Any volunteers?
>Joel, I usually tend to do one of two things, depending on my level of patience du jour: One approach (i.e. the Good) is to use a drawing program, either Freehand or Illustrator and sketch out the finial to scale using bezier curves, which allows you to easily change the size and shape. Another approach (i.e., too often the Bad) is to "wing it" on the lathe. I end up with some number of unused finials this way, some of which turn out to be useful later. A variation of the latter occurs when I get so wrapped up in the finial that I forget about the piece it's supposed to top (i.e., the Ugly :-)
>They don't always look good using this system, either, Joel. Something about turning your head to allow you to view it as if it were standing up doesn't always work. I think it must be gravitic forces which impact either the brain or cause the corneas to deflect, or something. Once I get a really good one finished, I strut around like a bantam rooster!