>There is a nice article about and by Wally Dickerman in Woodturning design (the "spring" issue). I enjoyed Wally's insight on design of hollow forms and bowls. I was a little surprised that the pictures of Wally's turnings didn't include one of his beaded hollow forms with a collar. Though the two pictures of turnings are certainly inspiring.
>Hi Wally, they did a nice article on you, I�m glad they posted �Meet the artist�� much more fitting than the turner! As always the forms are outstanding.
I have two spalted birch 6� x 15� that are perfect for your Maple Burl Vase style, I will be busy this week.
I'm looking at my Winter 2005 issue (front cover is of an inlaid platter w/ dragonfly)and it has an article called "Designer Showcase,Wally Dickerman". You mention that the article shows two photographs, this one shows 8 of Wally's turnings? Was he in the Winter 2005 and also the Spring issues? I didn't know the spring issue was out already? If so, I'm behind an issue! I hope that's the first one in my new subscription.
>My bet is that he will pass on that. I just spent two days with him in his shop. It is one tool/process he did not share. It is a signature piece for him and I know he'd like to keep it his.
I may be wrong but I don't think so, so don't feel bad if he doesn't post that picture.
But, Wally, if I am wrong, I won't feel bad if you do share. I just happen to agree that you are entitled to keep some things to yourself.
Having said that, I have found most all turners to be super generous with their knowledge and skills. And Wally is among the most generous. I thoroughly ejoyed my time with him and look forward to the next opportunity.
>There are always a few things that we have to keep to ourselves. Anyone who has been turning wood for any length of time will have a couple proprietary tool profiles that are never seen outside of their own shop or studio. Whether they will be of any use to anyone else is anybody's guess.
Having said that, I have two observations.
The first is that, there is always a wide gulf between seeing a tool profile and being able to duplicate it, and an even wider gulf with between that and knowing how to use it. There are very few who will get from the seeing it to the using it.
The second is that brief moment of hurt when we see someone else offering "Our" tool, with their name on it, to the pulic as the latest development in woodturning. Those are the times when ask ourselves, "Why couldn't I have done that."