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a piece for Orlando

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a piece for Orlando

#1

Keith Tompkins

a piece for Orlando

Keith Tompkins

>bird's eye view


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Re: a piece for Orlando

#2

Keith Tompkins

Re: a piece for Orlando

Keith Tompkins

>I just got a new digital camera, trying to figure out hope to use it. Last view of the piece. Critiques appreciated, please, Keith


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Re: a piece for Orlando

#3

Re: a piece for Orlando

Bob Hackett

>The work is just stunning,I`m sure it will be a big hit at Orlando.Care to post an estimate as to hours spent?

One small comment as to wood choice.The original piece was meant to convey the feeling for floating paper or cloth.The dark wood in this one makes it more visually heavy and the "floating" becomes "folding" to my eye.No less captivating,just a different feel.

I hope you enjoy making these,I think you may have found your"signature piece".

Mainely,Bob

Re: a piece for Orlando

#4

Keith Tompkins

Re: a piece for Orlando

Keith Tompkins

>HI Bob, thanks, this one took two weeks, part time evenings. The turning part took one day, the rest was glueing, carving, ( by hand) and the most time of all was sanding. Over a week to sand, the curls were hard to get into.

This one has a design change, which I normally don't like to do. I realized the base could be turned from the same block, instead of adding an additional piece. This forced me to compress the spiral at the base, which I'm not so sure I like.

My feelings on this piece is I may have overdone it a bit, too much to take in at once. I'm still struggling with the base. thanks, Keith

Re: a piece for Orlando

#5

Re: a piece for Orlando

Don Henthorn

>Do you have any "in progress" pics? Fascinating and beautiful.

Re: a piece for Orlando

#6

Re: a piece for Orlando

Mark Kauder

>Keith,

You are a SICK man - I hope the sickness is not catching since I will be spending time with you in Orlando.

(Nice work though)

Mark

Re: a piece for Orlando

#7

Keith Tompkins

Re: a piece for Orlando

Keith Tompkins

>HI Don, yes I got some photos, which I hope to use in an upcoming article. I'll post some when I get them developed. Thanks, Keith

Re: a piece for Orlando

#8

Keith Tompkins

Re: a piece for Orlando

Keith Tompkins

>somebody HELP me!! I think the illness is getting worse! lol

Re: a piece for Orlando

#9

Re: a piece for Orlando

GeeSeaWhy

>Dancers. Tango dancers. It works very well on that level, at least for me. It's not just a "how did you do that?" piece. And thanks for the details of how it was done - I could have gone nuts trying to figure out how much was turned, carved, sanded or shaped by some other means.

Graeme

Re: a piece for Orlando

#10

Re: a piece for Orlando

RonZ

>Hi Keith,

I agree with Graeme, the Tango name sure fits this piece. Tow dancers seperate but inter-twined.

You're not sick and I always enjoy viewing your works. This piece is beautiful. There is a Talmudic quote 'according to the effort is the reward' you can certainly say that about this piece. I wish I could be there to see it but even if I started hitch hiking now from Israel I still wouldn't make it.

All the best,

Ron

Re: a piece for Orlando

#11

Keith Tompkins

Re: a piece for Orlando

Keith Tompkins

>thanks,Graeme, my wife and I thought it resembled tango dancers also......hmmmm!

Re: a piece for Orlando

#12

Keith Tompkins

Re: a piece for Orlando

Keith Tompkins

>Thanks, Ron, I appreciate the kind words. I might be sick, but if I seek professional help, I may not be able to do colaborative pieces all by myself again. LOL

Re: a piece for Orlando

#13

Re: a piece for Orlando

RonZ

>I can see the diagnosis; schizo-colaborativitis =o)

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