Last shots for now
Mark Mandell - Gone Round In Jersey
>Spalted Maple with Ambrosia staining 4-1/2 x 9" and about 3/16". Finish is Gloss Tung numbed with 0000 sw.
Est. 1998 — 27 years of woodworking knowledge
Last shots for now
Mark Mandell - Gone Round In Jersey
>Spalted Maple with Ambrosia staining 4-1/2 x 9" and about 3/16". Finish is Gloss Tung numbed with 0000 sw.
No. 2
Mark Mandell - Gone Round In Jersey
>Spalted Maple 4-1/2x5-1/2 by thin from the 9/16" opening. Rubbed Tung on the finish
Thanks for comments.
Mark
-2=Mail
Re: Last shots for now
Keith Tompkins
>Hi Mark, these seem to have an "Ellsworth" influence, appearing to create a sense of volume. Nicely done, Keith
Re: Last shots for now
Tony Reynolds Newark, OH
>Very nice Mark. These look Ellsworth inspired, they just need a smaller opening. Excellent work!
Tony
Re: Sent the pics to David
Mark Mandell - Gone Round In Jersey
>Waiting for HIS comments
[Same class of form was used in the large walnut in the other post below]
Thanks for the feedback
|;-}}
Hi Mark
Dominic Greco in Richboro PA
>Mark,
You asked that I take a look at your latest pics and comment.
I do like the wood species and the finish. But to be honest, I find myself drawn to more "organic" looking shapes. Especially in hollow forms. The straight sides suggest something "man-made" (even though technically all your turnings are!).
I know David Ellsworth turns vases like this, but I'm not drawn to those either. Call it personal preference.
I really hope I haven't insulted you or anything! Critiquing is not something I do all the time. Thats why I shy away from them. I'm about as subtle as a 155 MM Howitzer.
See you around,
Dominic
All "Critique" is a personal opinion.
Russ Fairfield
>The only difference is that we respect the opinions of some people more than others.
Re: Perceptions
Mark Mandell - Gone Round In Jersey
>I'll have to work on my photography, Dom, and both pieces are all curves (not a straight line in'em), but the curves are more shallow that I'd use for say, bowls. Think I'll bring'em to Bill's and you can see what I mean.
You're not the first to pick up on the similarity to David's work. Since I took a 3-day class from him, it would be easy to attribute these to his style, except I was doing these kinds of forms 25 years ago in clay on a potter's wheel.
Fire when ready, Gridley! You ever know me to hide my feelings on a topic? |;-}}
Thanks for the response!
Mark