Re: Standing on the point of a pin.
david weaver
I'd thought about saying something similar - the only irons that have really put me off in working have been the ones that are actually defective.
* shepherd's A2 iron in a kit that i had. Again, matched what beach saw. I was hoping that I'd get lucky, but the iron sharpened like a very hard iron and went to notched style within a few strokes leaving very pronounced lines
* an eskilstuna berg tapered iron - which I admittedly bought based on the edge fineness shown on brent's page. the iron that I purchased is flawed - it doesn't release big bits out of the edge, it just fails to ever hold the very uniform edge at all and instantly feels like a dull iron within a few strokes. It's not overly hard, either. That was a bummer.
Everything else has been fine. I used to think that irons like the clifton were unusable in abrasive woods, but learned to work with stuff like that by big/little smoothing. Thick shavings with the cap set to do everything except one or two final passes with a thin shaving. Strangely enough, that turns out to be a much faster way of smoothing really anything, even though, of course, it works even better with a higher quality iron. It's not doable without a cap iron, though (there is just no way to get four or five thousandths of shaving through a single iron plane that is capable of avoiding surface damage).
I think I've probably said half a dozen times on here that soft irons have taught me more than hard ones. that's what I meant by that.
The round top 70s stanley irons will teach a user a lot if they use the cap iron and force themselves to resist the urge to go right back to better irons floating around the shop.
Finish smoothing notwithstanding (no sanding or scraping, or anything more than burnishing with shavings following the plane)- in that case, edge uniformity becomes very important. Very few people actually do it despite many saying they do.
I do it when I can, which causes me to have an errant view (admittedly) about plane iron qualities important to most folks. Tiny little lines are no match even for 400 grit sandpaper.
When I was learning on my travels of capirondom, I made the large cocobolo coffin smoother from a rough billet (shown in pictures in the corian thread) using only a stanley 4 and the stock iron, except to sand the facets off of the plane after planing the contour on it. I have to admit that it really didn't cost any appreciable time in making the plane and i intentionally did big/little process for all of it and sharpened the #4 one time at the end only to take finish shavings on the top face of the plane, and on the sole.
I could not show how valuable any of this is in words to anyone - someone would have to be in my shop and a clock, but everything about stanley irons and planes (why they're not as hard as the steel would permit, etc) instantly came into focus and the chinese HSS planes that I purchased to take many thin shavings off of cocobolo in my original planemaking phase were really unnecessary and they reside in the shelves now, waiting only for something caked with dry glue.
Tying back around to your original point - I got off of my gimmick wagon on the aussie forum after going through what I just mentioned above and said "I guess none of this really matters if you're not doing all of you work with a plane, and you're just trimming joints and removing planer chatter - the time penalty isn't really great".
And to my surprise, the response was "so, now you're saying what we're doing isn't real woodworking?!"
(more like, it's easy to see as people went to using power tools to solve problems why there really wasn't that much impetus for most people to try to figure out why the extra cost was spent putting a cap iron on a plane in the first place, or whether or not any of larry's assertions on his single iron manifesto - about the flaws of wooden double iron planes - were right. They weren't, but who would care?)
Signed-
The bulldog