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PA Spice Cabient

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PA Spice Cabient

#1

PA Spice Cabient

Bill Tindall, E. TN

>I wanted to make one of these affaris when I first saw it in Fine WW Sept '88. It took me a while to acquire the skills and time to do three for family gifts.

Design considerations: This cabinet is shrunk from the original 18" height to 14" to be more appropriate for a dresser top jewlery box. The top molding hides a "secret" drawer so this molding must be around 1 1/4" high. Most of these cabinets look too top heavy to me because a large crown molding is used. I used a chair rail molding pattern and it lays flatter on the case for a less top heavy look. The top was molded to blend into the chair rail pattern.

The smaller size resulted in smaller drawers(11 of them) inside that were not high enough to accomodate conventional drawer construction. The 1/8" bottoms were glued into a rabbit cut in drawer bottom. The LN dovetail saw teeth were too coarse for the thin sides so a Zona saw was used and it worked very well. Of course I used the CPM 3V chisels for dovetails and mortises.

I found the bun feet difficult to turn and get to look right. I find spheres difficult. I made over 20 before I got 12 that looked acceptable.

The walnut was hand planned with LN 4 1/2 after sizeing on power planner and then sanded with 220 grit. It was stained with a slury of burnt umber in Tung oil and then many coats, sanded in between, of Hock's garnet shellac were applied by brush, rag and spray gun (I was experimenting). For me spraying 1 1/2 lb worked best-fastest and most even. I never could figure out how to brush the runny stuff around all the details.

Hardware, hinges and a tiny surface lock, is from White Chapel.


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#2

Very nice Bill...

Scott Burr in Ben Lomond CA

>Looks good. How's about a shot with the door open. That chisel look nice too!

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#3

Nice job Bill!!

Paul in NJ

>The proportions look very nice. Your family will appreciate your efforts and treasure the cabinets.

I haven't had much luck brushing shellac myself other than for a base coat. You should try doing French polish with shellac, my first attempt at it worked well. It sounds a lot more complicated than it really is.

Paul Dzioba

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#4

Mighty fine!

Ed Mulligan, Cape Cod

>Ditto the request for a shot of the interior. Thanks for posting.

Ed

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#5

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Frank Mutchler in Colorado Springs

>Very elegant, indeed! I'd like to see the inside sometime... ;>)

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#6

Jim in Burlington Ont.

Very nice

Jim in Burlington Ontario

>

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#7

Bookmatched doors.

Ron in Richmond Hill

>Great piece of workmanship. I too have wanted to build one of these but it looked like a sizeable task. Nice to see you got around to it.

I noticed in your photo and other pictures I've seen of bookmatched panel doors that one door often looks darker that the other. Is this the way it appears in real life? Any one able to explain what happens.

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#8

Re: Bookmatched doors.

Mike G.

>I think it has something to do with the grain of the wood, folded open like that?...kind of like the

'grain" in carpet where it's seamed together. Especially when they reverse the next piece. I'm sure someone will tell me if I'm off base here. :^)

Mike G.

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#9

Exactly right.

Dan Donaldson

>There was a discussion on the board awhile back about this effect relating to bookmatching veneers. I believe in that case that it was a sunburst or a star type of layup. The carpet analogy you used is one of the best that I have heard for this.

Depending on the wood and grain directions, it can be very pronounced in the right light.

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#10

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CONGER - The Irish diaspora in Munich

>Cool... that door is neat... well done. -g-

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#11

explanation

Bill Tindall, E. TN

>When a book match is made, any orientation of the grain to the plane of the board is reversed in the two pieces. If a book match is made from pieces where the grain is at a steep angle to the plane of the board one gets the light dark effect. What is light and what is dark will reverse when angle of source of light reverses.

Light will reflect more when the grain is sloping away from the observer. When the grain is pointing at the observer light will bounce among the fiber ends and some will never reflect back out. The result is a darker appearance. Reverse the direction of illumination and the dark piece will now appear lighter.

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#12

thanks for comments

Bill Tindall, E. TN

>will post inside picture later. Need someone to come by with digital camera and that may take a week or two.

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#13

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dave jeske

>Very Pretty Bill.

I lived in West Chester, PA for a while and saw some original spice cabinets that were made in the local area. I have always wanted to make one but it is still on "the list". Looks like youd id an excellent job. BTW I have a wonderful book that is out of print on Pennsylvainia spice cabinets. You may have it but if not and are interested in some photocopied pics email me offline.

dave

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#14

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Bill Tindall, E. TN

>When I posted the picture of the 1st of the 3 cabinets I was asked for a picture of the inside. Finally someone came by with digital camera and took one. The knobs are Blackwood and it was decided that they looked best just waxed so that they would be a bit dull.

drawers are lined with velvet.

Panel is a piece of crotch walnut and thanks to Mike Jager for veneering advice.


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#15

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Don Thompson, Cutler Ridge, Florida

>The inside looks great, too!

How did you construct and attach the drawer dividers?

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#16

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Bill Tindall, E. TN

>this picture may explain it. If not check FWW No72, 1988. This is the only picture I have that shows the inside.

The sides are stopped dados. The vertical dividers are stopped dados too, but instead of the usual stopped intersection that is seen, the vertical part is beveled at 45 degrees each side on the front 1" and it sets in a vee grove at the end of the stopped dado. You can barely see it in the picture. It looks sharp done this way.


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#17

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Wiley Horne--Glendora CA

>Very handsome work, Bill! Wonderful piece of wood on the front panel. And the blackwood pulls look just right.

One question: I can't quite tell--did you chamfer the inside edge of the frame (for the frame and panel door)?

Thanks for sharing, Wiley

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#19

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Bill Murphy / Reading Pa.

>Beautiful job Bill.

The way the light reflects off of the front panel, you can kind of make out a face...? and no, I'm not drunk...:o)

Bill

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