Size of Ura in a Japanese plane
paul womack
>I have a vague memory that Odate stated something like the following:
"it is common knowledge that planes work best when the ura (?the flat cutting part of the blade) is as small as possible"
Can anyone confirm that he said this (or its gist)?
Can anyone confirm that it's true, and in what contexts. AFAIK Odate worked in shoji, which (again, AFAIK) implies straight grained soft wood. I know that some Japanese work is done with hardwoods, but I don't know wether Japanese work include the Western fascination for strongly figured grain.
I have some thoughts on the consequences of Odate's statement, but I'd like to confirm my axioms before I proceed.
BugBear