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New handcrafted tool

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New handcrafted tool

#1

New handcrafted tool

William R. Duffield, on the Cohansey

>In preparation to hijack another thread, Holes in Saw Steel, I had smuggled a pointed object on board. With the heightened security following several successful hijackings, at the last minute I decided against the dastardly deed. Instead, here is a new thread.

As I noted, while attempting to fabricate a backsaw, I broke a pin punch that I suspect had been improperly hardened. My son needed some tools so he could begin some wood carving. He visited my shop at Christmas. Wanting in no way to discourage his artistic talents, and since all the raw materials for a new awl had somehow found their way onto the world's messiest workbench not equipped with a tool tray, I let him take my awl home with him. I guess the new cocobolo carving mallet, several board feet of seasoned, clear hardwood carving stock in several species, and all my out-of-favor carving tools weren't enough. I had made the old awl from a redbay (Persea borbonia) branch, a short piece of thin copper pipe and an Allen wrench, and I consider it a family heirloom.

This evening, after losing an altercation with the block of black locust that had been my first choice, I decided olive (Olea europa, not Bucida spinosa or B. buceras) would do just fine for the new awl's handle. I hacked off a hunk and drilled a 1/8" diameter hole about an inch and a quarter deep in one end, and shaped it to an approximate cylinder with a spokeshave. I chucked the broken pin punch shaft into the Jacob's chuck in the lathe headstock and sharpened a point on it with an angle grinder. Then I turned it end for end in the chuck, slipped on a small compression nut and inserted the shaft into the hole in the olive block, using it as a mandrel while I turned the olive and turned and fitted the ferrule. I discussed ferrules in a thread I had hijacked a week ago on pattern rasps. After completing the turning, I filled a check with cyanoacrylate and some of the shavings, applied several coats of my favorite finish, alternating walnut oil and orange shellac. I parted off the handle, sanded and finished the butt end with more "frog polish", still wet on the rag, and with the chuck key, freed the completed awl from the lathe.


Overall length of the awl is 5 1/2". The exposed portion of the 4" long by 1/8" diameter shaft is 2 3/4". The handle is 1 3/4" in diameter. The brass ferrule is 3/8" long and takes a 1/2" wrench.

Pam, you are on our list of suspected hijackers. If you try to discuss the shoji screens I used as backdrop, you will be detained out on a runway for several hours, the air conditioning will be turned off and the elevator music will be turned on, and you will be forced to eat airplane food. I assure you that the shoji are forgeries, constructed totally with Western power tools. Thanks for the assistance with the screens and with the digitization.

Critiques of the artistic merit of the awl, the screens, the photography, and this article are welcome and encouraged. If you don't want to discuss it here, we can take it to the Critiques forum, where the analysis will remain in public view.

Re: New handcrafted tool

#2

I think it looks mighty fine indeed.

Mark Harrison -- in Sydney, Australia

>

Re: New handcrafted tool

#3

Re: I think it looks mighty fine indeed.

Todd O. Cronkhite Native of Maine

>I agree Mark. Where'd you get that Olive Sir William? I brought a piece back from Italy one time, but gave it to a friend you really really wanted it. I thought that I'd get another piece next time I went there, but wouldn't you know I never went there again. :~(

I bet if you produced and sold these awls thru, say Bridge City you could make a fortune. Need to "spin up" your description of the materials used and construction techniques first tho. ;~)

Sounds like you really got your son interested in carving eh? The only problem with that is now he'll be swiping your tools and taking them to his house. At least when he was little you'd be able to find most of them laying around, but once they leave your property and go to his you might never see them again. :~( Perhaps you'd been better off getting him interested in something else such as oil painting eh?

Todd O.

Re: New handcrafted tool

#4

Re: New handcrafted tool

Don Thompson, Cutler Ridge, South of Miami FL

>The awl is awlright! Great wood.

I am not much of a carver - What does one use an awl for in wood carving? Is your son a devotee of Seurat?

Re: New handcrafted tool

#5

Training the children

Bob Hackett

>I`ve been trying to push mine toward developing an interest in sanding and finishing.So far,no luck.

I know we have some programers here.Any suggestions for inserting subliminal messages into vidio games?

Mainely,Bob-"Failure is not an option"Words to live by from the powered side.

Re: New handcrafted tool

#6

Re: Training the children

Pam Niedermayer - Austin, TX

>The subliminal messages are already there, they just don't say what you want. The messages say that everything Mom and Dad own is fair game.

Pam

Re: New handcrafted tool

#7

Shoji

Pam Niedermayer - Austin, TX

>Damn, it's just not fair to anticipate that well. I was about to say how nice your shoji turned out; but now your clever cooption has removed all the fun, so I won't say it. BTW, I don't think there's such a thing as shoji forgeries. Regardless of how they're made, a shoji is a shoji (in Japanese there is no different form for the plural noun, "shoji" sufficing for both plural and singular).

And now for a bit of grace, you're welcome. :)

Pam

Re: New handcrafted tool

#8

Re: New handcrafted tool

Paul in NJ

>William,

I like the form in which you turn your handles. This handle if I recall correctly has the same 'signature' as the small router you crafted. Nice work as always!

Paul Dzioba

Re: New handcrafted tool

#9

Re: New handcrafted tool

William R. Duffield, on the Cohansey

>Seurat? pointillism? He is a fan of Alexander Calder and of Marion Ruff Sheehan. You might be the only other person on this forum with a high probabiliby of being familiar with Sheehan's work.

I think the awl is more for some of the metalwork he also does. I wasn't ready to give him one of my marking knives, so he got the awl instead. It's for marking measurements and transferring patterns, etc., as with any other woodworking.

Re: New handcrafted tool

#10

Re: I think it looks mighty fine indeed.

William R. Duffield, on the Cohansey

>I got the olive in Oregon, from a guy named Harvey Shinerock, in Kerby. He goes down to California and cleans old, non-productive trees out of commercial olive groves down there, hauls it back, cuts it up and sells it to wood carvers and turners. I'll be out there and probably visit his studio some time this winter. It's a piece of the same block I used for the bowsaw handles.

Re: New handcrafted tool

#11

Re: Shoji

Barb Siddiqui - Wenatchee, WA

>William- Beautiful awlive awl...a sweet handtool. William and Pam- I've not read all the threads here on shoji, but am curious noticing the half-laps alternated on the outer border of the frame. I'd think that joinery would be all on one side to give the lattice a 'front' and a 'back' to choose from; this way, it is the same, alternating the joinery, on both sides. Specific reason for this, or tradition? forgive me if this has been discussed to death already. -Barb S.

Re: New handcrafted tool

#12

Re: Shoji

Frank Mutchler

>Barb, I noticed the same features you're referring to. I assumed it was a strength/design consideration..in that order.

Re: New handcrafted tool

#13

Re: New handcrafted tool

William R. Duffield, on the Cohansey

>You have a good memory, Paul. For sure, the router was sitting on the shelf in front of me with the frog polish, calipers and wrenches while I was turning it. I had first considered starting from Brian Buckner's awl handle design, but changed my mind.

Re: New handcrafted tool

#14

Re: Shoji

Pam Niedermayer - Austin, TX

>As Frank says, the woven kumiko make for a very sturdy structure, with no inclination to separate at the half laps; so you don't need any glue to hold the kumiko together. As to a specific tradition/rationale, I don't know, would be happy to look it up, but I've misplaced my "Making Shoji" book.

Pam

Re: New handcrafted tool

#15

OT: Artists

Don Thompson, Cutler Ridge, South of Miami FL

>I was fascinated by mobiles when I was a child, and received a book of some of Calder's work. Got me busy cutting up coat hangers and snipping pieces from soup cans. And of course, Denise has some books of Sheehan's work.

Anyway, I had envisioned your boy doing some kind of texturing on a wood carving with the awl, and maybe rubbing in a glaze to set it off.

Great story about the olive wood.

Re: New handcrafted tool

#16

No glue...

Barb Siddiqui - Wenatchee, WA

>strength consideration...that makes sense. Darn, I feel myself getting 'sucked in' to this every time I consider it. no glue...very interesting. guess I'd better get one of Odate's books finally. Thanks Pam and Frank.

-Barb S.

Re: New handcrafted tool

#17

Re: Shoji

William R. Duffield, on the Cohansey

>We discussed shoji construction briefly in another thread a couple weeks ago, and I got just enough info to allow me to make some. All I know is that if built with alternating half-lapped joints, like these, and the joints are tight, they hold together even without glue. Assembling them is a real puzzle.

Re: New handcrafted tool

#18

Thanks for the reference!

Barb Siddiqui - Wenatchee, WA

>I knew it had been discussed somewhere, but didn't have the time to read it. Thanks, William. -Barb S.

Re: New handcrafted tool

#19

Re: Shoji

Don Thompson, Cutler Ridge, South of Miami FL

>That woven assembly without glue reminds me of popsicle-stick "frisbees" made to throw at one another by schoolboys. Being half-lap-less, they explode when they strike something. :-)

Re: New handcrafted tool

#20

Doh! :-)

Mark Harrison -- in Sydney, Australia

>So that's what I've done wrong :-)

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