Occasionally I make lighthouse nightlights for friends. In the process of making one I decided to make the lantern room out of some ebony that I had bought from one of the Woodfinder companies. Not sure of its country of origin. I found it not an easy wood to work with. I found it brittle and a bit hard to machine. Does anyone have any observations on working with this wood?
I've used it for turning finials and bottle stoppers. However, I once tried to turn and carve a flame finial from Gabon ebony. The edge of my veiner (carving v-gouge) shattered, so I gave up on the idea of a flame. There could have been something wrong with the heat treatment of the Pfeil carving tool, but fixing it is still on my To Do list.
I use a lot of Ebony but only for woodturning, mostly smaller things. I love turning it. I have a variety, mostly Gaboon, and it turns beautifully with sharp tools. I usually just buff the bare wood instead of use a finish.
A few turnings...
Threaded boxes from Black and White Ebony
ERC and Ebony
Ebony and Walnut
Bottle stopper hardware from Ruth Niles
I also like African Blackwood, which can look so much like Ebony it can be hard to tell the difference.
I look for Ebony with brown streaks which can make it look more like wood. Polished Ebony can look just like plastic so if it's jet black I rub it down for a satin finish!
Another option for ebony is wenge. Sometimes uniformly black and sometimes it has brownish streaking. When oiled it looks like ebony. Much cheaper as well.
I work with both ebony and wenge and I much prefer ebony it scrapes and files really nice and is fun to shape. wenge is brittle and splinterry and not very fun.
Macassar has always been one of my faves, too. I recall making a knockdown coffee table once out of 1 1/2" Macassar Ebony. A guy traded me a BMW for it.