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Knowledge You Can Build On — Est. 1998

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comedy of errors

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comedy of errors

#1

comedy of errors

DWFII

>I am posting this photo not as some example of great artistic talent or admirable skill in turning, but rather as evidence that serendipity actually exists.

This started off as a oof-cut from some very large logs that had been laying around untreated for a long time. The fellow I got it from (bless his generous heart) cut the good stuff up into turning squares and offered the left-overs to me...which considering my skill and knowledge was just right.

One end of the piece had numerous micro cracks and was getting kind of "weathered" or "punky."

I rough turned the vase fighting cracks all the way--went through a whole two ounce bottle of CA. I soaked it in dnA for 72 hours and let it dry about six weeks, maybe more.

The rim was just wide bead at first but trying to get some of the cracks out, it became almost a collar. I never did get the cracks out but a little judicious texturing camouflaged them very nicely. I ebonized the interior with leather dye and it was so strong, that in spots, it soaked terough the three-sixteenth inch walls. An attempt at a tungo oil finish (3:1) only made it worse. Hence the antiquing in the exturing.

The colour is Artisan red althoug in my mind it is almost more orange than red...call it "burnt orange.

Finally I put a MinWax wipe on Poly on the outside and by golly that's the easiest and nicest finish I 've done yet. Buffed with White Diamond and Carnuba.

Measuring 5.5x4.5...I kind of like it.

Comments welcome...

DW

In the High Desert of Central Oregon


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Re: comedy of errors

#2

Re: comedy of errors #2 view 

DWFII

>


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Re: comedy of errors

#3

NOW ......

Fred in NC

>Try to make another one just like it!

Very nice, it is the results that count!

Re: comedy of errors

#4

Re: comedy of errors #2 view

GaryG in MD

>Way to stay with it!! I think you've got a signature piece there. The graduated shading is great. Do it again! ...Gary

Re: comedy of errors

#5

Re: comedy of errors

DWFII

>Hope nobody minds...I posted the first two photos at lunch...kind of in a hurry (had a green crab apple bowl on the lathe).

Here's a photo with the contrast, brightness and intensity adjusted to bring the colours back to true life. Depening on your monitor, this is the way the vase really looks.

DW

In the High Desert of Central Oregon


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Re: comedy of errors

#6

Looks like you made lemonade!!

Molly Winton

>

Re: comedy of errors

#7

Re: comedy of errors

Mike Schwing from Md.

>Darned nice goof up! This looks really nice, like it was planned.

Re: comedy of errors

#8

Re: comedy of errors

GaryG in MD

>I still say "signature piece". Make the next one a tad shorter (a slightly squater shape, with the sides curving in more quickly at the bottom) -- it looks like a strawberry. I really like it. The color and texture are great, and the accidental collar fits it very nicely. Enjoy it! ...Gary

Re: comedy of errors

#9

Keith Tompkins

Re: comedy of errors

Keith Tompkins

>Hi DWF11, Reading through the text, I really didn't expect what I saw in the photos...this one caught me off guard.

I hope you don't mind a bit of critique.... Many turners feel that the size of the opening is a reflection of the maker's skill. Tiny opening, lots of skill. Big opening....well, you know.

However, I have said before, and will say again, the size of the opening should be in proportion to the rest of the piece. Tiny openings may indicate a high level of skill, but also fail to take consideration of form into account. The resulting piece, rather than inviting the viewer in for a closer inspection, says "stay away, don't look in here".

I think the opening in your piece is just right, if I saw it sitting in a display, I would want to pick it up and look inside. Well done!

Re: comedy of errors

#10

Re: comedy of errors

DWFII

>Thanks to everyone for all the kind words. This is my fifth piece, BTW. I don't know what made me stick with it...maybe if I were a more experienced turner I would have tossed it in fireplace. I guess it's just that I need experience on everything...technique, form, accents, finish...you name it. It was a good experience.

Now if I can just build on it...use what I learned and keep learning.

DW

In the High Desert of Central Oregon

Re: comedy of errors

#11

Re: comedy of errors

Don Henthorn

>But Keith, I can't get my stiff finders inside to sand it smooth. No one can tell it is not so smooth if they can't see indside.(-;

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