Re: New pop wood mag: A&M
Adam Cherubini
>The question about paring relates to the article on my blog on using shooting boards. You must decide whether to saw to the line, or leave it and pare to it. I think the latter is only appropriate in extreme situations. Otherwise, its just too timid an approach and that timidity, when allowed to flourish, can really squish your work.
As far as gaps go, I do my best to ignore them. Some get filled with finish. Some fill up with hide glue. Some I will shim. If the gap is more than a saw blade, then obviously I did something wrong with my layout or sawing and I typically shim those. After my carcass went together, there was one gap I felt the need to shim. It was right on top and in front and unlike those on the sides, wasn't going to get covered by moldings. (I always seem to cover up my best work. no really. The dt's under that molding are exquisite! really!).
The trick to cutting dovetails is sawing.
The trick to making period furniture is recognizing that we don't think like people from the 18th c. We have to learn that our values are not always reflective of theirs. In the 18th c, dovetails are just joints and not very important ones at that. The faster you can complete them, the better.
Adam
P.S. Just finished shooting 10-15 step photos of half blind dovetails for my latest article. I'm not sure whether you'll see these photos in print or on the web. (If we print them, we won't have room for analysis- so one or the other will be on the web- email me offline with your vote)