Epist�m� and techn� -- a clarification
David Barnett - SW Florida
>There seems to be some confusion as to Science and Art. They are more complimentary than antonymic, you know.
Techn� is lit. Greek for "craftsmanship" and in a broader and somewhat less precise sense "art", "craft", or "skill" (esp. dexterity and deftness of hand), and in modernity "technique", "system", or "method". Knowledge proper is "epist�m�", and the study of how we know things, organize them and test them (know them to be true or false) is, of course, epistomology. "Science" is a state of knowing, a possession of systematized knowledge, and a system of acquiring knowledge in a repeatably verifiable manner that rigorously subjects such knowledge to generalized principles and so-called laws.
Technique (art, craft) can be precise, algorithmic, designed and informed by knowledge and conditionally altered in real-time by process feedback and control, so I would consider the knowledge of what happens to metal and what outcomes are desired, to be "science", and the expedient, controlled process to achieve the desired outcome to be "art". Doing this in a non-repeatable or less-consistent, less-informed and less-controlled, less-efficient manner would be less artful, but would nevertheless be "art" per se, whether or not the technician understands the underlying a posteriori causes or generalized principles explanatory to transforming properties in metals through thermal manipulation.
Indeed, an empirical or serendipitious discovery of the heat treating process may yield consistent and satisfactory outcomes without the underlying science. Of course, it would likely be more difficult to modify or improve technique without that systematic knowledge, but not impossible as proved by centuries of alchemical discoveries and thaumaturgical praxes and even through so-called "magick" which may assign Hermetic and supernal symmetries and happenstances as axiomatic causal factors. Or something like that.
So "art" needn't convey cavalier lack of precision nor free-reigning expression without regard to formal and logical process and principles. That's aberrant modernism (apologies to Jackson Pollack). In fact, one can leave "fine art" (which usually isn't) out of it altogether and have a least a passing shot at semantically disambiguating the muck and muddle, if ya know what I mean.
There. Isn't that better?