Re: Mitre planes (long)
joel
>"The recesses at the heel of the improved mitre also make it easy to "shoot" the plane on it's side - a lot easier than a bench plane. The lack of side wall "meat" isn't really an issue as there's still plenty there to keep the plane square. Plus not having a typical bench plane type handle helps with the balance while shooting. "
This I totally don't understand to the point I pulled out a spiers box mitre, a spiers improved mitre, and a chute board plane (stanley 52 the only chute board I have) and a regular #5 and a short Norris panel plane (13 1.2") and tried them on a shooting board.
For the box mitre the only grip was on the side wall between lever cap and front bun. (obviously one hand it holding the work against the shooting board fence). Not very comfortable but it works well.
For the improved mitre the only grip was also on the side wall between lever cap and front bun I could not figure out for the life of me how you are gripping the plane from the recesses and holding it tight against a fence. Only one side is accessible, the bottom side is against the shooting board with no clearance for grasping. My improved mitre is a very early one with not very pronounced indentations, but I still don't see how it's done. Hand pressure would be too far back if I could even get a grip. Maybe it has to do with the geometry of my shooting board? Can you post a picture????
The panel plane worked fine (as does a stock stanley bench plane) the handle weight is tiny compared to the total weight of the metal body. But the chute board plane with it's angled handle is a pure pleasure (and what I use).
Note: Wooden plane makers did offer specific chute board planes in both wood and wood with steel soles and a finger hook for pushing the plane but I have never seen one outside a catalog.
"Even though there are many more bench planes than mitre planes there's still quite a few of the mitres out there if you count them all up. Also, as they were known as pianoforte and instrument makers planes it would make sense that their usage would be, more or less, confined to a few select and exclusive trades, rather than the more mainstream woodworking trades. "
The English mitre planes made for the instrument makers market are by and large significantly smaller than the pre-1850's mitre planes. The instrument makers mitre planes are all designed to be used with one hand. And were all box mitres or American variations of them. There are exceptions. Of I think 2 A11's (norris's adjustable imporved mitre) I can recall ever being sold at a Stanley auction 1 I know for sure belonged to and was custom made for, a harpsicord maker but that wasn't a stock Norris A11 - sort of a mix between box and improved and IIRC not huge.
The pianoforte planes are certainly too narrow to be used as shooting planes. And if you recall my point was that the improved plane was less suitable for shooting than a box mitre not that the planes were never used for anything and in general the planes weren't popular for shooting once bench planes became popular. And that the improved design was never really successfull for anything.
THe number of post 1850's surviving mitres is miniscule compared to post 1850's bench planes and infill bench planes. In other words when your average successful late 19th century woodworker decided to splurge on an infill, bench planes, shoulder planes, rabbet planes, chariot planes, and thumb planes were a more popular choice than any type of mitre plane.
The overwhelming number of large English mitre planes that have survived are pre-1860.
note: The most single popular post 1860 mitre plane is of course the Stanley #9 which supposibly was for instrument makers. but it's wide and big, wasn't too popular but Stanley also made the famous hotdog handle for it so you could grasp it easily and use it on a shooting board.