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Happy Coincidences (Good Design)

15 November 2025 at 03:01

Have you ever come across something that works unexpectedly well, or even perfectly? Like when packing a box and all the items fit in nicely with no rattling? Or when you finish building something with just a handful of scraps?

I come across these happy coincidences quite often. When I encounter them in daily life, they are a reminder that good design works. When I encounter them when making something, they are often encouraging as I take them as an indication that I’m on the right path. Good design works.

Take for example this happy coincidence that I came across today:

I needed to cut a series of hexagons with a 14 inch width. After laying out the shapes (read below to learn how I drew them), I first cut them into triangles with my track saw. (The hexagons were being cut from large, 2 inch thick slabs that were not flat, so the track saw made the most sense to me.)

Then, to make them hexagons, I needed to cut the other 3 corners. For this, I decided that my sliding table saw was the most efficient tool to do this with accuracy and repeatability. I set the crosscut fence to 30 degrees, then pondered how to ensure repeatable positioning.

The normal method of using a stop block wouldn’t work, since not all the corners of the triangles were intact (e.g. the corner extended past the edge of the material, as shown below).

My next idea was to use the diameter lines to align to a mark made on the crosscut fence. Although this would require manual alignment, this method would offer acceptable accuracy and be fairly quick to position each cut. Plus, the clear-anodized aluminum crosscut fence readily accepts pencil marks. I grabbed a pencil and combination square to make the mark and discovered…

Remarkably, in order to make the cut, the diameter lines would have to be located right at the end of the crosscut fence. No adjustments to the fence were required, and no marks needed to be made on the fence. How cool was that?

How I Laid Out The Hexagons

To lay out the 14 inch hexagons, I used a compass with pencil, pair of dividers, and a square. Below, I demonstrate drawing a smaller hexagon on a scrap.

First, I set the compass to 7 inches (half of 14) and drew a circle for each hexagon. I used a compass with a pencil, though I could have also used a pair of dividers to scratch the circle which would have been more accurate.

Next, I set the dividers to the same 7 inches by placing one point in the centre divot and the other point on the circumference.

Then I walked the dividers around the circle, leaving 6 equidistant divots around the circumference.

Finally, I connected the divots on opposite sides with a straight line, and drew a line square to that and tangent to the circle.

I extended the tangent line in the other direction, then repeated five times to complete the hexagon. Remember to leave enough room around the circle for the hexagon’s corners.

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Carved Fans: Frame for a Dancer

25 October 2025 at 21:08
Inspiration and trial piece
Lay out and starting technique

Those of you who follow my work know that I’m often inspired to create a frame when I go into Diane’s studio and see a work in progress. Well, recently I saw a dancer that she was painting and immediately thought Flamenco and visualized the fans I’ve seen Flamenco dancers use. Next thing you know I’m searching the net for pictures!! Once I found a picture of the fan to use the next hurdle was figuring out how to make a pattern and transfer that to each corner of the frame. Adding to the challenge is that the frame has a 15° slant to it so using a compass wasn’t an option. The frames size allowed for a circle with a 2″ radius so the first step was to use the Pages program and print off a couple of circles of that size, that’s the gray piece in the right photo. I’m a big fan of using plastic from lettuce containers to make my templates. The paper is attached to it with spray adhesive then cut to shape. For the circular piece in the center I used a 7/14mm gouge to not only cut the template but also the wood. The outside was carefully cut out with scissors and the location of the frame miter was marked on it as well.

Line the template up with the sight edge and the miter to draw the circle (3/4 of one actually). you need a way to divide the circumference into an even number of parts. The only way I know to do this is to use dividers , if you’re not familiar with these they’re the black tool in the right picture. Set up the dividers on paper, not your wood — you’ll be doing a lot of trial and error work to do this so paper is easier to erase! As a furniture maker I use them a lot to divide a given space into equal sized parts and layout dovetails. To use them you “guesstimate” a size you think would work, adjust the dividers to that size and then “step it off” from end to the other end. The goal is for the last step off to end exactly at the end of the piece. Until it does you’ll need to make very small adjustments spreading the legs more or less until you get equal sized fan blades. Keep the dividers at that setting, you’ll need them for each corner. Note: I’ve tried to explain this the best I could but it is confusing, here is a LINK for a short article I found on the net.

Here are the tools used. After using the template to draw the outer circle and the inner circle on the wood I first used a 7/14mm gouge to outline the inner circle. Start at the sight edge and use the dividers to divide the space, I’d suggest using a pencil rather than the point of the divider as it could show in the carving. Now, use a flexible straight edge lined up with the corner of the miter to draw a line to the marks you made using the divider. See the picture, top right. This line is the high point of the fan blade.

Use dividers to find center of fan blade
Draw arrows to show direction of slope

Once your corner looks like the left hand picture it’s time to divide the fans — I strongly suggest only doing two blades at a time to save confusion. Measure and make a mark at the center on one blade. Use the dividers to mark the centers of all of them, you may need to eyeball and adjust if it doesn’t look quite right to your eye. The right hand picture shows the arrows drawn to remind me which way the slope goes. Here’s the order that worked for me and the tools I used for this project:

  • Use 1F/8mm skew to cut angled line from outside to middle line at the bottom of 2 blades, draw your arrows to indicate slope direction
  • Use 3F/6 to cut to desired depth at end of the blade. I also used a 2/10mm and 2/14mm to blend the carving into the rest of the frame
  • I used what I call my golf ball skew, it’s an old Marples skew fitted with a golf ball which lets me make curved or straight free hand cuts. Make a straight cut down the middle line from the inner circle to the end of the fan blade
  • The goal is to have a tapered cut that slopes to the middle line and down to the end. For me, the best tool was a 3/4″ very sharp bench chisel. Take very light cuts and work from both sides trying to stop your cut before hitting the other side. Definitely practice these, you can’t put the wood back!
  • You will probably need to deepen the cut at the end of the fan blade to maintain a sharp edge.
  • The grain direction changes on every cut due to the miter and to add to the challenge my profile has a 15° angle too.

I needed a lot of practice before I got what I considered acceptable results. The profile is about 3″ wide and what I call my 15° profile. I plowed a 1/4″ bead on the sight edge for a detail and also to create a definite stopping point for the fan. The tool I started with at first was a 1/16mm double bevel skew since that’s a “carving chisel”. Wasn’t happy with how it worked, difficult to create that smooth slope I was after. Then tried a 3/4″ cabinet chisel and it gave a much smoother cut. Also easier to hold and control than the fishtail skew.

Here’s one corner of the 18″ x 24″frame freshly finished with RMP finishes milk paint in Arabian Night Black. I’ve used their product on quite a few frames and like its appearance. You can mix up a small amount so there’s very little waste. To apply it they sell quality foam brushes which leave a nice finish. I usually apply 2 coats and then smooth them out with a 2500 grit nylon pad. To seal the milk paint my preference is OSMO 3043, satin. A thin coat is applied with a chip brush and then wiped dry with blue shop towels. Don’t rub it down too hard, some of the milk paint will come off and you’ll see it on the towel! After 24 hours or so, apply another light coat and since the first coat sealed the milk paint there won’t be any transfer. I’ll post a picture of the completed frame and painting on my Instagram once they’re both dry and assembled.

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Wood or Plastic: What’s your Choice?

28 September 2025 at 00:17
Plastic molded tray (probably imported!) or hand made Steamed Beech?

I’m sure I’m not the only woodworker who enjoys creating something that’s relatively simple and challenging that will serve a purpose. I love the challenge of making furniture and picture frames but this had some techniques not usually used and would be useful — enter the bathroom drawer tray! I have some leftover Beech which was resawn from furniture projects that required 8/4 material, the pieces were approximately 3/8″ and 3/16″ thick.

The first step was making the tray, it measures about 1 1/2″ x 7″ x 12″ and is 3/8″ thick. Hand cut, dovetailed construction and the bottom was rabbeted for a 1/4″ plywood bottom which was glued into place. No pictures on that but same process I always use. To house the lapped dividers the first step is making mitered pieces that fit snugly; these will eventually be slotted for the dividers. Begin by cutting them on the miter saw but slightly over-sized. They are fine tuned for a snug fit with my Donkey Ear miter jig. If you’ve never seen or used one of these I really like it. Unlike a typical miter shooting board this allows you to hold the piece on either edge so that should there be any tearout you can plan for it to be on the bottom. Some time ago I posted a blog about it — here’s a link to that post.

After those mitered pieces fit snugly on the inside of the tray it’s time to cut the slots and ends so the dividers slot together. To figure out how to space them I made a full size drawing and laid the items out on the drawing and took the measurements from that. This picture shows the tools I used. First off was a Japanese Dozuki saw that has an adjustable depth. I used that during my Kumiko building phase — much cleaner. accurate, and quieter than a tablesaw! The depth gauge was set to the thickness of the wood which is slightly less than 3/16″. The 1/8″ chisel was used to remove the waste. A line was first drawn to locate the divider. Next, a scrap of the divider material was lined up to the line with a small square so the other side could be penciled in. Those lines were cut to the depth set on the Dozuki saw and the waste was chiseled out, any needed fine tuning was done with chisels.

Holding and cutting these thin and small pieces isn’t easy. I took a scrap piece of wood and cut in a notch. The notch is slightly deeper than the needed depth and is wide enough so the the depth stop has room. It was clamped between bench dogs and the pieces are held firmly while sawing. As you can see, adjoining divider members are taped together to be as accurate as possible. After all the pieces were cut and dry fit they were lightly sanded and given a coat of Osmo #3043.

There’s a number of parts and they need to be assembled in a specific order. I don’t use glue, if your mitered perimeter pieces are tight it’ll hold together without any problem. To start place #1 in first and lock it into position with #2. Next, slide the short divider #3 into #2 and lock them in place with #4. The #5 piece locks across #1 and now the mitered piece #6 locks everything into place. Follow this with #7 and finally #8 is what could be called the Keystone which locks the entire assembly into the tray. When you put in numbers 6,7, and 8 you’ll find you need to push them into the tray evenly. This is where getting a good tight fit with the miters is important.

That’s about it, fun project to make and helps to maintain my hand tool skills. Used the table saw and planer to rip to width and surface to thickness. I aways use hand planes to remove planer chatter marks. The miters began with a miter saw but were fine tuned with the Donkey Ear shooting board.

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