CHATROOM |
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edited chat log
![]() a Special Guest Chat with PETER KORN Woodworking Educator Ellis Walentine, Host Sunday, May 1, 2005 9:30 pm EDT CLICK HERE to visit Peter's website. Chat Topic: “Learning to Design” Ellis |
I'm pleased to introduce our special guest this evening, Peter Korn, Director of the Center for Furniture Craftsmanship in Rockport, Maine. Welcome, Peter! |
Bater |
Hi Neal & Peter |
gypsydave_in_alabama |
hi Neal |
Peter Korn |
Hello. Sorry I'm late. |
MacS |
WELCOME PETER |
Carole_in_VA |
Hi Peter. Welcome! |
Neal__San_Jose_ |
'Evening all |
Ellis |
Welcome, indeed, to our chat. |
Dustmaker |
Is this particleboard desk I use fine furniture? |
Ellis |
's okay. Glad you're here. |
Peter Korn |
So, I've never been in a chat room before. Thanks for inviting me. This should be interesting |
gypsydave_in_alabama |
just like sittin' around a campfire |
Bater |
Usually is! |
Ellis |
We're interested in what you do up there in Maine, Peter. Tell us about your school. |
Peter Korn |
How much time do you have? |
Ellis |
Tons! |
Peter Korn |
Well, we take about 350 enrollment per year, teaching furniture making, carving, and turning. |
Peter Korn |
Our courses range from one week to nine months in length. |
Peter Korn |
They are taught by an incredible array of professional woodworkers from the USA, England, Australia, Canada, and New Zealand. |
Ellis |
Wanna drop some names? |
gypsydave_in_alabama |
nine months!! That's quite a class |
gypsydave_in_alabama |
that's an apprenticeship |
Peter Korn |
Names? Some are well-known, such as Garrett Hack, Phil Lowe, Alan Lacer... But we don't so much look for "stars" as we do for the best teachers. |
Ellis |
What courses are the perennial favorites, Peter? |
Carole_in_VA |
Is there emphaisis on any particular style or period? |
Dustmaker |
I have seen a lot of new furinture with Dutchman in it I thought they where normally used to cover a mistake |
Peter Korn |
We encourage each student to find his or her own voice in design. Anything from Shaker-inspired to art furniture is fair game. We don't teach period reproductions, though. |
Peter Korn |
Have any of you taken classes at other schools? Which ones? |
Ellis |
So, where do you begin the course on design, Peter? |
Carole_in_VA |
I haven't...I am a beginner. |
RayT |
Yes, Marc Adams shool |
Alan_B |
Peter - why not period furniture? |
Neal__San_Jose_ |
I can stick two boards together, but have difficulty with design. I have great respect with people like you, Michael Fortune, Graham Blackburn that can come up with designs that work. I guess that's why I tend to do reproductions of older designs. |
Peter Korn |
Ellis, all of our courses teach craftsmanship and design inseparably, Every student designs the piece he makes to incorporate the skills he wants to explore. |
Ellis |
That sounds like an ideal approach, Peter. |
Peter Korn |
We don't teach period furniture because: 1) the North Bennet School does such a great job already and 2) we are really about encouraging woodworkers' creative self-expression. |
Ellis |
When it comes to design, I suspect nothing is new under the sun. How do you approach design instruction, Peter? |
Peter Korn |
Neal, I believe that every person can design, given the methodology and encouragement, and I haven't been wrong yet. |
Carole_in_VA |
Do you think creativity in design can be learned, Peter? |
Neal__San_Jose_ |
That's promising!!! |
Peter Korn |
You can learn to generate ideas and then translate them into reality, so yes, creativity can be taught. |
Peter Korn |
Can we teach you to be a great designer? I'm still trying to teach myself to be a great designer! |
Carole_in_VA |
How do you teach someone to generate ideas or move outside the box? Seems like a hard thing to teach. |
Ellis |
I wish I could have been the fly on the wall there all these years, Peter. I'll bet you have really evolved your design program. |
Peter Korn |
And Ellis, there's a difference between creativity and novelty. So much contemporary design is about novelty and not much else. Furniture design is really a way to describe how we think life should be lived. |
Peter Korn |
Damn, I haven't typed this fast in my entire life. |
Carole_in_VA |
LOL |
gypsydave_in_alabama |
What is your school's web address? |
Peter Korn |
www.woodschool.org |
gypsydave_in_alabama |
thanx |
Ellis |
You're doing very nicely, Peter! :-) |
Carole_in_VA |
"How we think life should be lived"...that's one of those phrases that will stick with me the next time I try to create something! |
Ellis |
Welcome to chatworld. :-) |
Ellis |
It's a good one, Carole. |
Carole_in_VA |
Sure is! |
gypsydave_in_alabama |
I'd create a mess using that philosophy! |
Peter Korn |
I know it sounds grandiose, but I ask myself why any of us want to design and build a piece of furniture, and it's certainly not because we need it functionally and practically, because it's actually easier to just go buy it. |
Carole_in_VA |
Not if you can't find what you want...which I usually can't. |
Ellis |
So, design comes from the specific design "problem" that we have? |
Peter Korn |
Ellis, yes, there is always a design "brief", a problem to be solved, even if that problem is just what will make me, the maker, feel satisfied. |
RayT |
My take is you teach someone how to think about the design process, then channel that thought process into creativity. |
Peter Korn |
Ray, that sounds about right. |
Peter Korn |
Except that thought is often the enemy of action! |
RayT |
Analysis paralysis |
Peter Korn |
You never get a sketch done by staring at the paper and thinking, you get it by moving the pencil, making mistakes, moving on....just like life |
gypsydave_in_alabama |
but action minus thought------yikes |
Carole_in_VA |
Do you often make changes to your initial design as you go or do you pretty well stick to the original design you came up with? |
Mac |
Dont you find that a game of croquet helps? |
RayT |
That is part of the process, do something even if its wrong, its just paper |
Ellis |
Right, Peter. Woodworkers have skills they want to apply. They don't necessarily have any design chops. How do you get them on the right track? |
Peter Korn |
Well, gypsy, with just a pencil it's not too dangerous. |
gypsydave_in_alabama |
lol |
Ellis |
What are the tenets of design that we need to bring to our work? |
Peter Korn |
To start, Ellis, we often have them do a variation on a theme, just to get comfortable with sketching, full-scale drafting, and modeling. |
Peter Korn |
One thing about our school, Ellis, is that we don't have a design orthodoxy. |
Ellis |
...beginning with a particular furniture form? |
Peter Korn |
There is not such thing as good design, just successful design, which is design that satisfies its brief. |
Ellis |
That's a good thing, Peter. |
Ellis |
Right. Function, cost, etc... |
Peter Korn |
If you don't like someone's work, you probably don't like the values that motivated his brief. |
JohnP |
that's a good thought, Peter |
Peter Korn |
Which Mac is that, asking about croquet? |
Mac |
me |
Peter Korn |
Ah, our outstanding turning teacher! |
Peter Korn |
I am curious about how all of you have gone about learning woodworking??? |
Ellis |
This notion of a brief is intriguing. This would be one's particular statement of his design problem? |
Carole_in_VA |
Fumbling around, reading and asking questions on WC! LOL |
JohnP |
graduate of the Univ of Errors |
gypsydave_in_alabama |
I am in process of design/building a potato and onion bin---I have about 40 hrs in construction and at least 200 in sittin' and starin' at it |
Peter Korn |
Ellis, not everyone articulates their brief, but it's always there and always a good exercise to try to verbalize. |
Bater |
I hung out in my neighbor's shop! He was in the cabinet business! |
Ellis |
Sure, you need to know the starting point. |
Neal__San_Jose_ |
You graduated, JP? |
JohnP |
yes, Neal, but grades weren't all that good. |
Ellis |
Seems that people learn by a lot of different means, Peter. Magazines, websites, personal contact, schools... |
Carole_in_VA |
I am still a "wannabe"...got all the tools and stuff, just haven't produced much. |
Ellis |
We're all somewhere on the learning curve. |
Peter Korn |
All good ways to go. I myself am self-taught, or at least I was till I started teaching with so many other people and learning how I should have been doing things all along. |
FrankJ |
Carole you do well. and a lot. |
Carole_in_VA |
I have gotten sidetracked by that spinny thing!:) |
Peter Korn |
Turning is seductive. We added turning to our curriculum last year and it's hot! |
Ellis |
Your school is a valuable resource for people who know where there are on the curve. Your instructors can move them along in a particular direction they want to go. |
Carole_in_VA |
I bet there is a huge waiting list, Peter! |
Peter Korn |
Ellis, absolutely. We have a very high teacher/student ratio. |
Peter Korn |
Carole, we do have wait lists for many courses, but we also have some that never run full. |
Peter Korn |
A course like Japanese Hand Tools doesn't have that large an audience, but we run it for those who are interested, even if it won't fill. |
Carole_in_VA |
Are the turning courses full? I bet they are. |
Ellis |
What are the most popular courses, Peter? |
Dan_D |
I think that websites such as WC are also a big advantage to new woodworkers. Where else can you get advice from as many experts for the best price::smile Of course, it also helps to have a live person next to you demonstrating things, but both are very good. |
Peter Korn |
The introductory-level turning courses are full, but we're adding another session in August, if you're interested. Some of the intermediate ones still have room |
Carole_in_VA |
I never could have even started before the Internet! |
Ellis |
Who is teaching turning, Peter? |
Peter Korn |
Most popular courses: turning, Basic Woodworking, Finishing, introductory carving... |
Ellis |
How do you teach carving? |
Peter Korn |
Alan Lacer, Beth Ireland, Michael Hosaluk, Stephen Gleasner... |
Peter Korn |
Al Stirt, Jacques Vesery |
Peter Korn |
Our carving teacher is Chris Pye, from England |
Ellis |
Yo, great lineup! |
Carole_in_VA |
Wow |
Peter Korn |
I, myself, don't know much more than which end of a gouge does the cutting. |
Ellis |
:-) |
Peter Korn |
Chris is an unbelievable good instructor. This will be his 8th year with us. |
Ellis |
I carve with a pneumatic sander and rasps. |
Peter Korn |
Ellis, I don't have the hang of those funny faces yet. |
Ellis |
We have just started a new carving forum on WoodCentral. I hope your folks will frequent it. |
Ellis |
Not to worry, Peter. |
Peter Korn |
Chris teaches with hand tools. Some of the turning instructors carve with flexible shafts, etc. |
Ellis |
Does Chris have a particular favorite brand of chisels? |
Peter Korn |
Chris likes the ones they sell at woodcraft. He feels they come with the bevels properly shaped. |
Ellis |
that would be Pfeils? |
Peter Korn |
Yes |
Ellis |
That confirms some suspicions. Thanks. |
Carole_in_VA |
He sells Auriou on his site, doesn't he? |
Peter Korn |
Chris Pye has a great web site and is very accessible by e-mail for questions. |
Bater |
Last Woodcraft catalog I got had Pfeils! |
Ellis |
So, where do people stay when they come up there for classes? |
Peter Korn |
Some camp, most stay in private rooms in shared houses for $250/week in the summer. Some rent private apartments. |
Peter Korn |
Then there are a lot of motels, b&bs, etc. but they are more expensive. |
Ellis |
...but you help them make arrangements, right? |
Peter Korn |
Ellis, what's your favorite glue? |
Ellis |
Hey, you got the smileys down! |
Peter Korn |
Yes, it is very easy to arrange housing through the school |
Ellis |
I like good ol' Titebond. What's yours? |
gypsydave_in_alabama |
my "brief" was a functional potato bin of gallery quality and style |
Peter Korn |
Titebond because it's non-toxic, but we use a lot of Unibond 800 for longer assembly times. |
Peter Korn |
And epoxy seems to be coming on. |
Peter Korn |
gypsy, how about sending a photo!! |
Carole_in_VA |
Hey, Gypsy, find a wood that prevents sprouting and you will have something!:) |
Ellis |
Yep. And we used to use a ton of West System epoxy for our gates. |
Peter Korn |
With epoxy wood seems to slide into place better. |
Peter Korn |
But I don't trust it for longevity. |
Ellis |
And stay there... |
Jack_E |
Peter what about hide glues? |
gypsydave_in_alabama |
no camera----and it's not finished yet----but close |
Peter Korn |
Hide glue is a pain in the butt! |
Carole_in_VA |
LOL |
Peter Korn |
Don't quote me! |
Carole_in_VA |
Never say anything in a chat room you don't want the world to know, Peter! LOL |
Ellis |
What do you know about epoxy longevity? |
Ellis |
We edit loosely here. :-) |
Peter Korn |
Ellis, I know nothing about epoxy longevity. I just don't trust it's long-term adherence for joinery, where it has to deal with wood movement. It is so inelastic! |
Ellis |
I know what you mean. |
Peter Korn |
Of course, I have lots of unfounded opinions I'd be happy to share. |
Ellis |
Don't we all :-) |
Peter Korn |
Ellis, what's the best woodworking magazine these days? |
Ellis |
I worry about those things, too, Peter. |
Ellis |
What do you think? |
Carole_in_VA |
LOL |
Peter Korn |
You first! Carole, what do you think? |
Carole_in_VA |
Slick dodge, Ellis |
Alan_B |
Other than longer clamp times - what don't you like about hide glue? |
RayT |
Two politicians making a decision |
Peter Korn |
I'll stick to glue. |
Ellis |
I have to be cagey. I like different mags for different reasons. |
Neal__San_Jose_ |
I'll go first - Pop Woodworking |
Carole_in_VA |
I am getting a little tired of all of them, if want me to be honest! I still get PW. |
Peter Korn |
Real hide glue sets so fast you don't have time for assembly. Liquid hide glue delams in hot humid weather. |
Peter Korn |
I will say that I particularly like some of the profiles in Woodwork. |
Carole_in_VA |
They all seem to have the same thing only in different issues. |
Ellis |
Have you tried Pat Edwards' Old Brown Glue? |
Peter Korn |
No, should I? |
Ellis |
Yes. Tell him I sent ya. |
Peter Korn |
Okay. |
Ellis |
I like Woodwork, too. |
Greg |
me three! |
Peter Korn |
I stopped writing for magazines because how many times can you explain how to cut a dovetail? |
Ellis |
Woodwork doesn't seem to need to make money, so Lavine does what he wants. It's a very tasty book. |
Peter Korn |
What's the scoop on that? |
Carole_in_VA |
I liked the first issue of the Woodcraft mag but the price was tad steep for me at the time. |
Greg |
or set the edge on a scraper.... |
Ellis |
Right you are, Peter. Nothing is new in mag world as far as I can see. |
Peter Korn |
Well, wood hasn't really changed all that much over the centuries, has it? |
Peter Korn |
Well, I don't know where all you bon vivants live, but in Maine this is an hour past bedtime! |
Ellis |
Geez, Peter, you guys turn in early... |
Carole_in_VA |
I think it (wood) has changed, acording to the "old time" woodworkers I talk to. They say it is very difficult to find wood as good as it was 50 years ago. I wouldn't know, personally. |
Peter Korn |
Well, did you know that Maine should properly in in an earlier timezone than the rest on New England? |
Ellis |
I get all the mags and I don't know that any are really a cut above. |
Jack_E |
9:30 here |
Ellis |
Pop Woodworking has been coming along nicely lately. |
Peter Korn |
Carole, you are absolutely right in that. I've seen the change over the past 30 years at the lumber yards. |
Carole_in_VA |
They published my tip, so I have to like them, Ellis! :) |
Peter Korn |
I, too, have heard good things about Popular Woodworking. |
Ellis |
No I didn't know that, Peter. You should be in the same zone as Bermuda. |
Peter Korn |
As Newfoundland? |
Ellis |
Chris Schwarz has energized that magazine. Check out some of the guest chats he has done here. |
Peter Korn |
Will do! |
Carole_in_VA |
I like the fact that they added a turning section. |
Peter Korn |
Ellis, is there much difference among the different woodworking shows that travel the country? |
Ellis |
Well... |
Peter Korn |
I haven't been part of the world. |
Peter Korn |
I mean, part of that world |
Ellis |
I am partial to the WoodWorks shows, although they are only in about eight venues. |
Ellis |
The Woodworking Shows are in about 30 or more venues. |
Peter Korn |
I'll look up the WoodWorks shows. |
Ellis |
A lot is the same. WoodWorks concentrates more on the teaching program. |
Ellis |
www.woodworksevents.com |
Ellis |
I happen to know the webmaster :-) |
Carole_in_VA |
Gotta go. Thanks for coming, Pter! Nite all. :) |
Ellis |
So, Peter, are you going to be there all summer? |
Peter Korn |
I'm always here all summer. There's sailing when there's free time/ |
Peter Korn |
Best time of year! |
Ellis |
I'm planning a trip to NH in June and I might be heading your way. |
Peter Korn |
Please do come out! |
Jack_E |
Peter Does your school occupy most of your time or are you involved other aspects of woodworking? |
Peter Korn |
Jack, running the school is more than full-time. I get to make one or two pieces of furniture a year and I'm doing some personal writing. It is a very satisfying life. |
Ellis |
I wish I could find time to make a couple pieces per year. |
Peter Korn |
Weekends! |
Peter Korn |
When there are no leaves to rake, overtime to put in... |
Ellis |
I don't have weekends. :-) I do turning because it's fast. |
Peter Korn |
Turning is the creative sport for the modern world. |
Ellis |
I still design furniture in my off hours. I'm not looking for customers anymore. |
Peter Korn |
We have an incredible turning show in the school's gallery right now. |
Ellis |
I'll bet. Can't wait to stop in and see what's up there. |
Peter Korn |
It can be seen on the gallery page at www.woodschool.org |
Peter Korn |
This summer it will be a faculty show. |
Jack_E |
Your web site is quiet informative |
Ellis |
Remember about 25 years ago, Peter, in Philly? The Heartwood Craftsmen guys? Where have the years gone? |
Peter Korn |
Ellis, do you remember the show Furniture by Phila. Woodworkers? It eventually led to the Phila. Fine Furnishings Show, at least in my imagination. |
Ellis |
You bet, Peter. I still have the catalog. You and I were both there. |
Peter Korn |
Because it introduced Bob Ingram and Josh Markel |
Ellis |
Yep. And they took off from there. |
Peter Korn |
My only first prize!!! |
Ellis |
You deserved it. |
Ellis |
Those were the days. But, so are these. |
Peter Korn |
I'll finish up by saying that this is a great time to be involved in woodworking. |
Ellis |
Peter, thank you so much for visiting with us tonight! I hope some of our visitors will have the chance to experience your excellent school. |
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